About  <<<

a contemporary approach to art making through the utilization of new technologies such as 3D modeling, texturing, sculpting and volumetric photogrammetry -- this practice exists on a continuum of his larger goals as a world-builder in efforts of both deconstructing and reconstructing the complexities of the human experience and the immortal potential of our collective digital afterlife.


Technical proficiency in new technologies via new media, including VR world building, augmented reality, 3D modeling, 3D scanning, archiving and building of custom digital assets. 

Ableton Live
Adobe Photoshop
Adobe Premiere
Audacity
Blender
Final Cut Pro
Formlabs
Logic
PreForm
Lulzbot Cura
Reason
SketchUp
Unity



Artist Statment

As an artist, existence in the Liminal has become defining to my practice. Through dynamic modalities I have been able to mirror an existence of fluidity, flux and refine. My work is a contemporary approach to art making through the utilization of new technologies such as 3D modeling, texturing, sculpting and volumetric photogrammetry (3D scanning) This practice exists on a continuum of my larger aim as a world-builder in efforts of deconstructive and reconstructive narratives in both contemporary and archaic space.



Past projects include work as a musician and visual artist under a psuedonym that has been featured regionally and nationally including performances at the Empire Theater, The Blanton Museum of Art, Navajo Nation Museum and more. Visual art exhibitions include the McNay Art Museum, the Mexican American Cultural Center, the Guadalupe Cultural Arts Center and a recent solo exhibition at the Visual Art Center in downtown Austin, Texas.  Awards include Trinity University Hendricks Award for Excellence in the Arts, two time recipient of Luminaria Arts Festival grant, two time First Place winner for the San Antonio Film Commission Neighborhood Film. Press and publications include interviews with the VICE, Glasstire, Sightlines Magazine, San Antonio Express-News, the SA Current and the Daily Texan.